Trichro-matic #160

Best Price

1.4775ETH
$4,374.82

Packer Bias

Filtered

21135%

Directionality

Very Tight

10017%

Gen Palette Bias

N/A

25743%

Colour Uniformity

Medium

30050%

Colour Intersection Range

1 to 1

37963%

Base Scale

Large

20434%

Displacement

Imperfect

29549%

Palette Range

Tiny

539%

Allowed Curvature

Single Axis

24942%

Line work

Yes

519%

Shading Depth

Very Low

9215%

Genome Base

Simplify

10417%

Palette

Aged

244%

Contract Address
Etherscan

0x99...b069

Token ID
482000160
Token Standard
erc721
Creator Royalties
7.5%

Trichro-matic by MountVitruvius
**Trichro-matic** meditates on perception. As you explore the piece, your perception of the structure shifts. Elements change their relationships - what is out turns in; what is flat deepens. What stood adjacent now occludes. The piece uses rhythmic color and form, displacement, and juxtaposition to create structures that invite interpretation and exploration. Some outputs challenge our depth perception conventions, while others manipulate explicit structural cues and emphasize intentional imperfections. From this concept, the piece gets its name - Trichro-matic - denoting the ability to perceive using all three primary colors. The hyphenated "o-matic" denotes fictional machinery, hinting at the generative system supporting the piece. Both hand-selected and algorithmically-generated color palettes feature, with the latter aiming to elicit emotions akin to the former. When you explore an output from different starting points, you understand the elements' relationships differently. In these changing interpretations, no answer is definitive. Each perspective, whether your first, your last, or someone else's, is valid. Prints will be available for Trichro-matic owners. For more details, visit [this link](https://www.mountvitruvius.art). Note: Renders might take longer on lower-end or mobile devices. This piece is my most technically complex release to date, relying on a custom GPU render process which can demand significant resources, even if outputs appear simple. Finally, I dedicate this piece to my father, who suffered vision loss from a stroke in September 2023.