Rapture Captured #218

In my works, nature is not the main subject, but it is a means of depicting, among other things, the vital force, the resilience of the living. There is in its multiplicity and its autonomous, chaotic and organized aspect something that traditional painting did not allow me to capture, other than thanks to infinite labor and a gesture that was far too controlled. Algorithmic art opened up this possibility for me to render nature, in its movement, its density, its wild abundance. The mesh is a familiar and basic object for the programmer, the framework of any 3D model, it represents the digital.